‘La La Land’ Review: Ryan Gosling and Emma Stone Trip the Light Fantastic

In his follow-up to “Whiplash,” writer-director Damien Chazelle serves up a recognizable Los Angeles that’s also a singing, dancing land of dreams

La La Land Emma Stone Ryan Gosling
Courtesy of TIFF

Film buffs still wax nostalgic about MGM sending directors Stanley Donen and Gene Kelly to shoot the musical “On the Town” on location in New York City in 1949, a nearly unprecedented move for a genre that was always soundstage-bound. But during its glory days, MGM never exploited its home base of Los Angeles in the same way, not even in Donen and Kelly’s Hollywood-centric “Singin’ in the Rain.”

Sure, that classic film offers up a splashy Grauman’s Chinese movie premiere, and the canyons that have served as the backdrop to a thousand Westerns, but it never captures that uniquely Southern California atmosphere, where the blisteringly bright sunlight fights its way through a hazy sky to deliver its glow to the hills, the swimming pools and the clogged freeways.

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