TheWrap
THE WORLD’S GREATEST FILM FESTIVAL RETURNS, AND SO DOES OUR ANNUAL CANNES MAGAZINE
Official Partner of the 2021


TABLE OF CONTENTS
1. Cannes goes from triumph to tragedy to reboot
3. What happened to the Class of 2020?
4. Breaking down the COVID-era Cannes: What’s different?
5. Mark Cousins celebrates film, again




Cannes Directors Portfolio
Our seventh annual portrait gallery found Cannes-bound directors at home and at work from California to Moscow, Paris to Casablanca.
After a year off, the Cannes Film Festival has returned, and so has TheWrap’s annual Cannes Directors Portfolio. From more than 10 different countries and a dozen cities, these directors are part of a celebrated crop of filmmakers who will bring cinema back to the Croisette—and before the fes-tival began, they posed for our cameras or, in a few cases, for their own cameras. (Selfies may be banned on the red carpet, but that didn’t stop Apichatpong Weerasethakul and Mark Cousins from taking them for us.) This portfolio is our biggest ever, and it makes Todd Haynes the first di-rector to appear in this feature for a third time, breaking a tie with Pedro Almodovar, Xavier Dolan, Olivier Assayas and now Jonas Carpagnino, who are all two-time participants. Welcome back, ladies and gentlemen—we hope to see you again in the Palais and on our pages.
—STEVE POND

Aleksey German Jr.
House Arrest, Un Certain Regard | Photographed by Lev Evlampiev in St. Petersburg, Russia

ANTONETAALAMAT KUSIJANOVIĆ
Murina, Directors Fortnight | Photographed by Srdan Saric in Zagreb

KIRA KOVALENKO
Unclenching the Fists, Un Certain Regard | Photographed by Kzenia Sereda in Calgary

KIRILL SEREBRENNIKOV
Petrov’s Flu, Main Competition | Photographed by Vladislav Opelyants in Moscow

KORNÉL MUNDRUCZO
Evolution, Cannes Premiere | Photographed by Kata Weber in Berlin

MARK COUSINS
The Story of Film: A New Generation and The Storms of Jeremy Thomas, Cannes Classics | Self-portrait shot in Edinburgh

RYUSUKE HAMAGUCHI
Drive My Car, Main Competition | Photographed by Kris Dewitte in Paris

JOACHI MLAFOSSE
The Restless, Main Competition | Photographed by Kris Dewitte in Brussels

KOGONADA
After Yang, Un Certain Regard | Photographed by Kris Dewitte in Rotterdam

SIMÓN MESA SOTO
Amparo, International Critics Week | Self-portrait shot in Stockholm

TOM MCCARTHY
Stillwater, Out of Competition | Photographed by Matthew Salacuse in New York City

APICHATPONG WEERASETHAKUL
Memoria, Main Competition | Self-portrait shot in Villerubanne, France

JOACHIM TRIER
The Worst Person in the World, Main Competition | Photographed by Kasper Tuxen in Oslo

JONAS CARPIGNANO (WITH BAY JALVIN CARPIGNANO)
A Chiara, Directors Fortnight | Photographed by Isabella Torre in Pantelleria, Sicily

JUSTIN KURZEL
Nitram, Main Competition | Photographed by TK in Glen-rowan, Australia

LAURA WANDEL
Un Monde, Un Certain Regard | Photographed by Kris Dewitte in Brussels

MIA HANSEN-LØVE
Bergman Island, Main Competition | Photographed by Laurent Perreau in Paris

NABIL AYOUCH
Casablanca Beats, Main Competition | Photographed by Maryam Touzani in Casablanca

NADAV LAPID
Ahed’s Knee, Main Competition | Photographed by David Quesemand in Paris

SEAN PENN
Flag Day, Main Competition | Photographed by Joseph Vitarelli in Malibu

TATIANA HUEZO
Prayers for the Stolen, Un Certain Regard | Photographed by Ernesto Pardo in Morelos, Mexico

TODD HAYNES
The Velvet Underground, Out of Competition | Photographed by Bryan O’Keefe in Big Basin Redwoods State Park, Santa Cruz County, California

JUSTIN CHON
Blue Bayou, Un Certain Regard | Photographed by Ante Cheng in Honolulu

Noémi Merlant
Mi iubita, Mon Amour, Special Screening | Photographed by Kris Dewitte in Paris

Mahamet-Saleh Haroun
Lingui, Main Competition | Photographed by Kris Dewitte in Paris

Ting Poo & Leo Scott
Val, Cannes Premiere | Photographed by Chris Loupos in Los Angeles



What Happened to Cannes’ Class of 2020?
Last year, Cannes announced a list of 62 new feature films that it considered its official selection for 2020, a year in which the festival itself didn’t take place. Here’s what happened to those films.
BY STEVE POND



What’s Different This Year?
It’ll be a Cannes like no other—here are some of the reasons why
BY STEVE POND



‘The Affordable Sublime’
Filmmaker and historian Mark Cousins will welcome moviegoers back to Cannes with The Story of Film: A New Generation
BY STEVE POND



60th anniversary of Critics Week
International Critics Week is celebrating a big anniversary in a year when its alumni is making an impact across Cannes
BY STEVE POND
