TheWrap
THE WORLD’S GREATEST FILM FESTIVAL RETURNS, AND SO DOES OUR ANNUAL CANNES MAGAZINE
Official Partner of the 2021
TABLE OF CONTENTS
1. Cannes goes from triumph to tragedy to reboot
3. What happened to the Class of 2020?
4. Breaking down the COVID-era Cannes: What’s different?
5. Mark Cousins celebrates film, again
Cannes, the Reboot
A year after the cancellation of what would have been a triumphant festival, Cannes comes back in a different time to a different audience
BY BEN CROLL
Cannes Directors Portfolio
Our seventh annual portrait gallery found Cannes-bound directors at home and at work from California to Moscow, Paris to Casablanca.
After a year off, the Cannes Film Festival has returned, and so has TheWrap’s annual Cannes Directors Portfolio. From more than 10 different countries and a dozen cities, these directors are part of a celebrated crop of filmmakers who will bring cinema back to the Croisette—and before the fes-tival began, they posed for our cameras or, in a few cases, for their own cameras. (Selfies may be banned on the red carpet, but that didn’t stop Apichatpong Weerasethakul and Mark Cousins from taking them for us.) This portfolio is our biggest ever, and it makes Todd Haynes the first di-rector to appear in this feature for a third time, breaking a tie with Pedro Almodovar, Xavier Dolan, Olivier Assayas and now Jonas Carpagnino, who are all two-time participants. Welcome back, ladies and gentlemen—we hope to see you again in the Palais and on our pages.
—STEVE POND
Aleksey German Jr.
House Arrest, Un Certain Regard | Photographed by Lev Evlampiev in St. Petersburg, Russia
ANTONETAALAMAT KUSIJANOVIĆ
Murina, Directors Fortnight | Photographed by Srdan Saric in Zagreb
KIRA KOVALENKO
Unclenching the Fists, Un Certain Regard | Photographed by Kzenia Sereda in Calgary
KIRILL SEREBRENNIKOV
Petrov’s Flu, Main Competition | Photographed by Vladislav Opelyants in Moscow
KORNÉL MUNDRUCZO
Evolution, Cannes Premiere | Photographed by Kata Weber in Berlin
MARK COUSINS
The Story of Film: A New Generation and The Storms of Jeremy Thomas, Cannes Classics | Self-portrait shot in Edinburgh
RYUSUKE HAMAGUCHI
Drive My Car, Main Competition | Photographed by Kris Dewitte in Paris
JOACHI MLAFOSSE
The Restless, Main Competition | Photographed by Kris Dewitte in Brussels
KOGONADA
After Yang, Un Certain Regard | Photographed by Kris Dewitte in Rotterdam
SIMÓN MESA SOTO
Amparo, International Critics Week | Self-portrait shot in Stockholm
TOM MCCARTHY
Stillwater, Out of Competition | Photographed by Matthew Salacuse in New York City
APICHATPONG WEERASETHAKUL
Memoria, Main Competition | Self-portrait shot in Villerubanne, France
JOACHIM TRIER
The Worst Person in the World, Main Competition | Photographed by Kasper Tuxen in Oslo
JONAS CARPIGNANO (WITH BAY JALVIN CARPIGNANO)
A Chiara, Directors Fortnight | Photographed by Isabella Torre in Pantelleria, Sicily
JUSTIN KURZEL
Nitram, Main Competition | Photographed by TK in Glen-rowan, Australia
LAURA WANDEL
Un Monde, Un Certain Regard | Photographed by Kris Dewitte in Brussels
MIA HANSEN-LØVE
Bergman Island, Main Competition | Photographed by Laurent Perreau in Paris
NABIL AYOUCH
Casablanca Beats, Main Competition | Photographed by Maryam Touzani in Casablanca
NADAV LAPID
Ahed’s Knee, Main Competition | Photographed by David Quesemand in Paris
SEAN PENN
Flag Day, Main Competition | Photographed by Joseph Vitarelli in Malibu
TATIANA HUEZO
Prayers for the Stolen, Un Certain Regard | Photographed by Ernesto Pardo in Morelos, Mexico
TODD HAYNES
The Velvet Underground, Out of Competition | Photographed by Bryan O’Keefe in Big Basin Redwoods State Park, Santa Cruz County, California
JUSTIN CHON
Blue Bayou, Un Certain Regard | Photographed by Ante Cheng in Honolulu
Noémi Merlant
Mi iubita, Mon Amour, Special Screening | Photographed by Kris Dewitte in Paris
Mahamet-Saleh Haroun
Lingui, Main Competition | Photographed by Kris Dewitte in Paris
Ting Poo & Leo Scott
Val, Cannes Premiere | Photographed by Chris Loupos in Los Angeles
What Happened to Cannes’ Class of 2020?
Last year, Cannes announced a list of 62 new feature films that it considered its official selection for 2020, a year in which the festival itself didn’t take place. Here’s what happened to those films.
BY STEVE POND
What’s Different This Year?
It’ll be a Cannes like no other—here are some of the reasons why
BY STEVE POND
‘The Affordable Sublime’
Filmmaker and historian Mark Cousins will welcome moviegoers back to Cannes with The Story of Film: A New Generation
BY STEVE POND
60th anniversary of Critics Week
International Critics Week is celebrating a big anniversary in a year when its alumni is making an impact across Cannes
BY STEVE POND