It has been 22 years since the original “Jurassic Park” became a huge box office hit, so many younger moviegoers aren’t familiar with it. But the impact of its thundering dinosaurs is still being seen, felt and heard in Hollywood and in movie theaters around the world.
Director Steven Spielberg‘s imagining of Michael Crichton’s bestselling sci-fi novel about genetically replicated reptiles rampaging through a theme park, adapted by David Koepp, was a game-changer for the film industry.
“The mix of a bestselling book, transferred to script by one of Hollywood’s best writers, in the creative hands of the world’s greatest storytellers and what can you achieve?” Gerald Molen, who produced with Kathleen Kennedy, asked TheWrap rhetorically, adding. “The answer is greatness.”
Gerald Molen, above, also played veterinarian Gerry Harding in the film.
The 1993 dinosaur blockbuster revolutionized the way movies were made, marketed and distributed with pioneering technology, concepts and strategies that are still employed today.
Here are five ways “Jurassic Park” left an indelible mark on the movie business.
Leaping Lizards
The velociraptor and other dinosaurs were created through a groundbreaking process that took more than a year, by combining computer-generated images created by
Sound and Fury
“I remember it scaring the hell out of me,” said Jeff Bock, Exhibitor Relations Co.’s senior media analyst. “The dinosaurs looked so real, and I recall seeing and hearing them breathe and getting the chills. It was a very visceral experience.” The unprecedented resonance, depth and clarity of the film’s audio was created by DTS, a company Spielberg invested in specifically for “Jurassic World.” The rib-rattling digital surround sound effects it created were unprecedented, and made many moviegoers aware for the first time just how much sound, and sound editing could mean to a movie.
Dino-Might
The “
Concept Over Stars
“No one came to see
Going Global
Some things were very different, however. When it opened in 2,586 theaters on June 11, 1993, “